Author: Leigh Banks

I am a journalist, writer and broadcaster ... lately I've been concentrating on music, I spent many years as a music critic and a travel writer ... I gave up my last editorship a while ago and started concentrating on my blog. I was also asked to join AirTV International as a co host of a new show called Postcard ...
Message from a Li’l Legend to all the wicked monsters in the never-ending story of parental alienation

Message from a Li’l Legend to all the wicked monsters in the never-ending story of parental alienation

There is a little girl who is fighting as hard as anybody to expose the shame of parental alienation to the grown-up world.

She is not even 11 years old.

Many of you reading this will probably already know who she is … but we have been asked to keep her name out of things because of the fear of ribbing from her schoolmates.

Because, yes, we all know how cruel children are …

But they can never be as cruel as the wicked people who drive an emotional wedge between a young person and a parent.

These people are the modern-day wicked witches and monsters of our children’s’ worst nightmares. Sadly, they also haunt the dreams of millions of adults too.

How shameful these people are.

They deliberately destroy dreams, hopes, ambition, futures, faith, honesty, truthfulness, families … and they destroy their own children too.

An alienator is cannibalistic, devouring their own child’s happiness, an alienator is the new demon of misery, a tunnel-visioned Cyclops born of the thunder of their own anger.

The Li’l Legend sadly, despite the tenderness of her age, already knows the pain of parental alienation and one day recently, unprompted and in the silence of her bedroom, she sat down and wrote this for us all:

To all you alienated parents remember that your children rely on you to fight for them in court just like my father did for me and that has made my life a lot easier now. That’s what you need to do please share and let others know that too. Li’l Legend.”

And her words ring to true as far as the fairytale world of those brothers and sisters grim of social care are concerned.

The Li’l Legend’s words, in their own way highlight, the failings of social and family care systems across the world … social workers, Cafcass in the UK and family courts every day need to heed her plea and fight for our children, not their ‘child-snatcher’ bonuses, their profit and loss sheets, not their tick boxes or their Damoclese-ean decision making.

UPDATED: Why George Bernard Shaw’s Broken English was music to my ears

UPDATED: Why George Bernard Shaw’s Broken English was music to my ears

Old records are back on the spin cycle! And it’s all down to Covid … basically, we have time to spend delving into the collections we’ve had stuck in the attic for decades.

Amazon has even launched a subscription service, the Vinyl of the Month Club, jam-packed with ‘golden era’ records straight to your doorstep (let’s hope they aren’t delivered like Frisbies eh!).

The subscription will only include records from the 1960s and ’70s, showcasing albums by Pink Floyd, Aretha Franklin, ABBA, and more.  Hmmm…

But what’s happened to the hardcore of old records – those brittle bits of shellac with built-in scratches, the 78rpm? That’s not making a comeback sadly.

Well, here is a story about a 78 that made me and my mate a few quid and burst the bubble of an old country auctioneer….

“Back in the day when dealers were all as knowledgeable and honourable as Lovejoy I found a 78rpm shellac recording of George Bernard Shaw reading Spoken English and Broken English. He’d scratched his name onto either side of the disc in the run-off groove.

So, being a proper purveyor of paraphernalia and curiosities and not some waddling  granny who gained what little knowledge she has by watching Bargain Hunt, I phoned the George Bernard Shaw Society.

I could see this immaculate recording of a BBC radio show from 1927 being worth hundreds if not thousands – well, it could potentially keep the wolf away from the door for a couple of days anyway.

Sadly, the GBS society soon disavowed me about its value by saying it is a wonderful thing to own but any real GBS fan already has one, so it might be worth £20.

Still, true antiques dealers travel ever-hopeful – not for us    a bus pass and a tartan pull along shopping basket – so I went through my contacts book and found a far-flung country auction of questionable practices in the wilds of Shropshire and phoned them. We had a chat, I told the auctioneer what I had and the thousands I thought it might possibly have been worth. He recommended I put a reserve of £400 on it, which, on his advice, I did.

And so to the day of the auction I was tending to my mullet hairdo in the my La Maison-chic bathroom mirror when my Chocolate and Cream GPO 746 bell telephone began ringing off the wall. It was the auctioneer calling on his second-hand Nokia.

He couldn’t have apologised more, saying that he had dropped my George Bernard Shaw shellac and smashed it “But don’t worry,” he said. “I’ll give you your full reserve on it.”

I thanked him profusely but it was a good job he could not see my impression of a Jeremy Clarkson smug face down the telephone – I sold sold something I got for nothing which was worth possibly £20 for £400 after all!

And do you know, I couldn’t help thinking that the country auctioneer    hadn’t broken my record at all – just like I had done, he thought it was worth thousands and at £400 he thought he’d got a bargain!

And do you know what else? I felt quite virtuous because now that the expectation of the value of the record had rocketed I realized not one bargain hunting, limping,    jobless bobble hat wearing pretend dealer would be hurt in the making of that deal!

So, old records, mainly vinyl it has to be said, are so on-trend now that many are no longer cheap as chips but the ones to watch out for are ones which have been owned by a celebrity or were made in limited numbers.

Some time ago vinyl specialist and record shop owner Phil Barton came up with this list of how to get rich by keeping your eyes and ears open for a record buy!

  1. White Album by The Beatles originally owned by Ringo Starr – £730,876. Ringo Starr sold his copy of the ‘White Album’ for $910,000. It was the first pressing.
  2. That’ll Be The Day by The Quarrymen – £100,000. The 1958 original is the only known copy of the pre-Beatles disc recorded at a local electrical shop by McCartney, Lennon and Harrison.
  3. Love Me Do by The Beatles – £80,500.There is only one known pressing of this one-sided recording.
  4. Music For Supermarkets by Jean Michel Jarre – £10,000 – £30,000. In 1983 Jarre made just one copy of this album before destroying the master tapes.
  5. Do I Love You (Indeed I Do) by Frank Wilson – £25,000. Only two originals have ever surfaced on the Motown label offshoot Soul.
  6. God Save The Queen by Sex Pistols – £12,000. Before they were ‘sacked’ by the A&M label about 300 were made. It is rare.
  7. Would You Believe by Billy Nicholls – £10,000.Only 100 copies of this 60’s psych/folk/rock album   were made.
  8. Please Please Me by The Beatles – £7,500. Always check the numbers in the run-off groove. These numbers tell you which pressing you have.
  9. Kind Hearted Woman Blues by Robert Johnson – £7,000.Only two photographs of him exist and his 78   records are just as rare, especially those released on the Vocalion label.
  10. Bohemian Rhapsody/I’m In Love With My Car by Queen – £5,000.The EMI special edition of the single was also an invite to a company event. It came with matches, a pen, a ticket, a menu, an outer card sleeve, a scarf and an EMI goblet.
  11. Pride by U2 – £5,000.It was originally pressed in Australia on clear vinyl, coloured vinyl is extremely collectible and in this case only five copies were made.
  12. Midsummer Night’s Scene/Sara Crazy Child by John’s Children – £4,000.The single was pressed on 7” vinyl but never released.
  13. Latch On/Only A Daydream by Ron Hargrave – £3,000.There are only six UK copies known to exist.
  14. Led Zeppelin’s 1969 first album – £3,000.Led Zeppelin’s first vinyl album is very common, however the initial pressing had turquoise lettering of the band’s name on the front cover.
  15. Love Me Do/PS I Love You by The Beatles – £3,000. 250 demo copies of this 1962 7” single contained the misspelling, ‘McArtney’.
  16. Space Oddity/Wild Eyed Boy From Freecloud by David Bowie – £3,000.Only a couple of copies of the 7” single with an unreleased picture sleeve are believed to exist.
  17. Tinkerbells Fairydust LP by Tinkerbells Fairydust – £3,000.Tinkerbells Fairydust recorded this album for Decca, but it was never released. It had extremely unusual packaging and a laminated front sleeve with a mono stereo ‘peephole’ on the back.
  18. Erotica by Madonna – £2,000.Picture discs are   very collectible and when Madonna released this album in 1992, it was quickly withdrawn from sale because the toe-sucking image on the cover coincided with similar stories involving the Duchess of York.
  19. Love is Strange by Wings – £1,500-£2,000.“Love is Strange” was due to be released as a 7” from the Wildlife album, however Paul McCartney changed his mind.
  20. Tudor Lodge by Tudors Lodges – £1200.This is their one and only album and was released on the Vertigo label.

Rodney and Leigh talk newspapers and ask do they go too far reporting the new world crisis?

Rodney and Leigh talk newspapers and ask do they go too far reporting the new world crisis?

https://www.youtube.com/watch?v=lKkX1I750tM&t=3s

Rodney Hearth, from Airtv International, asks does the media go too far and become to graphic when reporting tragedies and crisis like coronavirus – ex Red Top terror Leigh G Banks argues it is his job – and that of every other journalist – to tell the world what is really going on – warts and all! They talk about plenty of other things too!

Time to get in a huff over town’s hall of sadness …

Time to get in a huff over town’s hall of sadness …

Thousands of people in a small town are demanding a crumbling 500 year old farmhouse is rescued from being knocked down.

More than 6000 residents supported a campaign some time ago to stop the Grade 11 listed building collapsing after decades of neglect.

The campaign, in fact, caused so much interest in Moston, an ancient North Manchester suburb built originally around dye works, tanneries, print works, breweries, and brickworks, that the original story by journalist Leigh G Banks was banned by Facebook for over-sharing.

Despite the interest though, Manchester City Council said at the time there was nothing they could do to protect near-derelict Hough Hall, which stands next to a Victorian primary school.

And, shockingly Historic England, which curates the UK’s history, referred the Leigh back to the council when they were approached for help.

The early 17 century hall is listed because of its wood wall panels, its gables and its wattle and daub construction. Yet it has been left to decay and, at some stage, has been used as a drugs den.

Roger Barnard and Heather Mawhinney took on Hough Hall and had grand plans for it, immersing themselves in the local community and holding open days to show off their ancient home.

Less than two years later though, they put the house up for sale for £200,000 and went on their way.

It has been abandoned more or less ever since.

Also, anybody who wants to be involved in the fight to save the hall please contact Leigh or Andrea at the https://leighgbankspreservationsociety.blog/

This is what a spokesperson for the city council had to say: “As the property is privately owned, it is out of our jurisdiction.”

However, surprisingly, an Historic England spokesperson said: “Close contact with the local authority is vital at all times.”

She went on the add: “Communities can play an active role in saving their cherished heritage by being the eyes and ears on the ground. This might be through Heritage Watch schemes to prevent vandalism, setting up Friends Groups or launching a campaign. In some cases, local people have even established Trusts, taking ownership of vulnerable buildings and implementing solutions. Contact with the owner is vital too.”

Leigh G Banks, a former national newspaper journalist and now a broadcaster, said: “This is the response we’ve come to expect but it is only the opening shot – there are things that can be done to save a building like this and if people are willing to take on the fight our news organisation and the radio station will do all we can to highlight what is happening.

“The man on the street can win in these circumstances!”

A team of urban explorers recently revealed the real tragedy of the ‘Marie-Celeste’ building.

The Urban Collective Group got inside the farmhouse and filmed the shocking condition it has been allowed to fall into.

The house is still filled with clothes, family photographs, painting and hundreds of books. All that appears to have been emptied are filing cabinets.

Movingly, on an old and stained kitchen table there is a poster bearing Roger’s name. Part of the legend appears to say ‘Roger Barnard four different faces and …’

Heather was a member of a group called the Friends of Boggart Hole Clough, a sprawling park ten minutes walk from the farmhouse in Hough Hall Road, next to the local school.

All this indicates Roger and Heather were enthusiastic about the future when they first moved in.

A report in the Manchester Evening News in 2005 said; “Hough Hall in Moston opened its doors to the public on Saturday, welcoming visitors of all ages to see inside its Tudor interior and grounds for themselves.”

Highlights apparently included a local personality, Roy Williams, appearing as King Henry VIII in full Tudor costume.

The Evening News wrote: “Roy read a speech about the Hall’s history, and introduced children from Moston Lane Primary School who performed a traditional Tudor dance, and youngsters from the Whitemoss Fun Club, who acted out a scene from Snow White and the Seven Dwarfs.

“Local archaeology enthusiasts also attended the event, showcasing some of their work in a special display.”

On another occasion the couple curated a celebration of Samuel Bamford’s life at the hall attended by Robert Poole, who edited The Diaries of Samuel Bamford.

Bamford was a famous nineteenth-century radical, born in Middleton, he worked as a weaver, sailor and warehouseman and was part of the great upsurge of working-class radicalism in 1815.

Roger said at the time: “We had lots of lovely comments in the visitors’ book afterwards with one person describing it as a ‘perfect autumn evening’ and another wrote ‘so enjoyable we had to come back’.”

For years now people have been demanding something should be done to rescue the hall.

A retired local builder, Kenny Banks, remembered that in the mid-1950s he worked for Warma Fireplaces which had a shop on Moston Lane.

Warma Fireplaces rented part of the yard at Hough Hall and he went there every day to load the van.

He also remembers John Gobbi who he believes owned the building.  He had a coal business and  lived in nearby Hinde Street.

When  he died Gobbi left the business and the farmhouse to his daughter Joan and here husband, Les Clough. The  coal business became Gobi and Clough.

The house has also been a doctors surgery, used for the manufacture of lipsticks, and a sanitary-ware storehouse.

But its long and chequered history seems damned to vanish in the mists of time even though locals have said they would work on repairing historic wreck for free.

Dory Bridge, who wrote the original article on Hough Hall for this site, called for people to get together and demand something is done to save the oldest building in the suburb: “It needs saving and we need to know why it has been left to rot and neglected by the council and organisations set up to protect it.”

Why all things should be equal… a young mum’s mission for her son

Why all things should be equal… a young mum’s mission for her son

International Women’s Day  #EachForEqual

Gosh… that really got me thinking.

As a woman who has been treated differently because I had a baby, the theme this year has really struck a cord with me.

Even though I tackled issues through the appropriate channels, I am still not allowed to talk about things (so I had better not!).

But how are things going to change if we can’t stand up and talk about it all freely?

I fully endorse the fact that women are equal to men and should be treated as such.

I also acknowledge that there is such a long way to go.

But today is a great day for us to celebrate all the great women we know. And I am on board with that one hundred per cent.

Thank you to all the strong and influential women in my life that have supported me through good and bad.

While I don’ t want to miss the point of today – I wanted to add that there are also men that have equally supported and influenced me throughout my life.

Not all women treat other women equally, and these people (male and female) are also there to teach us all valuable lessons to keep fighting back about inequality.

We do all need to stick together to fight for change.

As a Mummy of a boy it is my mission to raise a young man who treats each and everyone equally and with respect.

Why?

Because his Mummy told him to and he respects that, just as I would if I’d a daughter too, because we are all equal and a product of our environment and experiences.

Discrimination in the workplace, Equal Pay, Family/Domestic violence – each for equal = time for change.

Oh no! It’s definitely not in the genes for Levi Dylan who won’t be banging the drum for rock’n’roll…

Oh no! It’s definitely not in the genes for Levi Dylan who won’t be banging the drum for rock’n’roll…

Levi Dylan is Bob’s model grandson – but in this he is kicking over the traces about his family roots.

He is quoted as saying ‘nobody listens to rock n roll!’

Is he right? Well, we at the Preservation Society don’t think so!

Anyway, Levi is cutting a dash on the catwalk to success … and that means we won’t see him adding to the Dylan dynasty’s collection of Grammy Awards any time soon despite being an accomplished guitar player and bassist.

He was once in a band though, Dreamers Dose, but quit saying: “Nobody wants to listen to rock and roll anymore.”

Still, ‘For his age, he is wise …he’s got his grandaddy’s eyes …and he’s young and on fire … full of hope and desire ...’

Now councils want to tax you on your granny!

Now councils want to tax you on your granny!

People with a back door are potentially being forced to knock down part of their homes to avoid paying Britain’s outrageous ‘granny flat’ tax.

Leighgbanks’sPreservationSociety focuses on a Government method of swelling its ailing coffers by charging more than 30,000 home owners, whose houses have annexes, hundreds of pounds a month in council tax under a law so outrageous it eclipses the empty bedroom levy and rivals the medieval window tax.

Here, a couple reveal their two  year fight to stop paying more than a £1,000 a year  in extra council tax because they have a sink unit next to their back door … Leighgbanks’sPreservationSociety has agreed not to name the couple for now because of the sensitivity of their negotiations …

Question

I hope you can help – we are being forced to pay £100 a month on top of our council tax, basically because we have a sink unit and a back door in our utility room. The Valuation Office Agency says the sink and the door mean we could rent that part of our property out as a separate self-contained unit.

They have even tried to frighten us by saying:We have taken people to High Court who have no cooker point, hot water or cooker and still won the case.

This is particularly worrying for us because we want to sell up and move on – but we can’t because our house will be classed as two separate houses. It’s insane and cruel!

This all began for us two years ago when my son moved into our property after losing his job. We were living abroad at the time.

Unbeknown to us he contacted the benefit agency and asked if he was eligible for rent allowance, which he wasn’t. However, the council came down to revalue the property, which at the time was classified as derelict and decided we could use part of the house as a rental property.  This meant they could charge us extra council tax.

Because of this we tried renting it out   privately but the local rental officer   decided that it was not legal to rent this part of the house out as it had dangerous, out-of-date stairs, had no cooking facilities, no separate heating, electric or hot water.

So, we decided to remodel the house and blocked up the front door. We also knocked through a pantry creating a corridor to our kitchen.

However, the VOA maintain that by putting in a door on the new corridor and locking it, by losing the use of our back door (patio doors) which is our way to get to our dustbins and to our garden we could actually recreate a self-contained rentable unit.

We asked him, if we take the sink unit out will that be the end of it? His reply – ‘I can’t advise you about that’.

To make this part of our home rentable we would have to:

  1. Open up the blocked front door
  2. Block off the new corridor and put in a safety door
  3. Relinquish our back-door access to our garden and dustbins
  4. Put in hot water
  5. Replace the dangerous stairs
  6. Put in a cooker point

I think this is a massive imposition – why would somebody want to buy our property when it is penalised because of a sink unit?

Also, because of the length of time the VAO have taken to come to their decision – more than a year – we are likely to face a debt for back council tax in excess of £1,000.

Answer

This is a terrible application of a law.  Basically, families who own homes with ‘granny flats’ could be forced to knock them down if they want to sell their houses after being hit by the tax.

As many as 30,000 homeowners live in properties with a self-contained flat for an elderly relative.  Under tax rules   they will be classed as owning two properties if they try to sell up.  That means the person who tries to buy their home will have to pay an extra 3 per cent on the value of properties as stamp duty.

At the moment it would appear all you can do is substantially alter your property … i.e. at least get rid of what is seen as your extra kitchen to have a chance of getting the extra tax on your home removed.

But rest assured Leighgbanks’sPreservationSociety is actively investigating this and will report regularly on it until some kind of sense prevails.

EyeBook1 (1996)

EyeBook1 (1996)

Two old men. A young kid. Columns of time. They ain’t got two good eyes between them but the old guy on the left, the one with the one laughing eye, gets hurt every time the young guy gets into an unexpectedly deep conversation with the old guy in the middle.

And the young guy gets hurt if the old guy in the middle seems to be paying more attention to the old guy on the left.

This set of circumstances has led to an uneasy alliance.

The barroom of the Helsapoppin’ was their trading post and they sold a pile of bullshit to each other. And to anyone else who would listen. These were the good times. Each one of them looking out for the other.

The old guy on the left didn’t trust anybody. He had trusted the old guy in the middle for a long time. But he’d never worshiped him. He’d respected their friendship but that didn’t involve trust. He never asked for anything other than what he was due.

The old guy on the left knew that he had one of the only two eyes in the room and the little, young, guy on his far right was causing that vision to be distracted. And all this one-eyed junkie had left was his vision.

The cruellest thing you can do is distract a man from his vision – although, of course, leaving him to it can be just as bad.

And here are the three men who will play out at least part of this story.

The old man on the left with his seeing eye that is always laughing … or crying. A waterfall of love. A pain that is disguised by a flicker, a cocked eyebrow.

What is that eye saying?

His face is one of those flickering roadside signs. You look one second and the girl is smiling. The next second she is frowning. One message then another.

Then there is his blind eye. Now thereby hangs another tale.

The Helzapoppin’ is the most hate-filled barroom in the world and all the malcontents, hipsters, thieves and thugs, megalomaniacs and liars, cheats, perverts, dog-fighting, ban-dog owning, shit-kicking fuckers gather there to get violently loud and uncoordinated on anything they know will damage their brains …

… Over there against the fruit pastille slot machine is the ape. Ugly man, no class. Shoulders on him like a motorway bridge. Lice speeding up and down them. He’s got no hair but for some tufts that look like horns.

Ugly guy. Thinks he’s tough. Scared shitless when the old guy on the left had threatened him one time with a gumball. But he acts tough whenever he gets into the old guy’s line of vision: Starts shouting and laughing loud. Big mouth and stupid broken-nosed face. Flapping ears and a dribble of spittle on his chin …

… A little skull of a guy balances on the bar. He grins and raises his glass. He’s got big brown teeth and spindly glasses. Hair gone slick across the white bone of his forehead. He chews a cigarette like it’s matchstick. Dangerous as shit. A faded dandy. He’s worn that suit too often. A stain at the crotch like a layer of salt. Scratches at his leg until his strides rise and reveal the suspenders on his calves. Takes an olive from the saucer on the bar, sucks the pepper from it and replaces the skin.

A little dead squirrel of a man. Leigh wouldn’t have pissed on him if he’d been on fire.

The young guy took out a piece of dope like a knuckle and ate it.

“Oh!” Leigh let out an involuntary cry and poked his elbow into Geoff. “He jus’ ate fifty pound’s worth!”

“Naw,” Geoff replied. “‘Bout a tenner’s worth.”

“Fucking hell,” Leigh sighed.

This truly was a baronial hall of helz-a-poppin’. Bowels were hanging from the beams, feeding the birds. Dead colleagues.

Over at another table Naughty Nigel is fidgety. Keeps looking over at Leigh – bad, slitty, tired eyes. Got a down on Leigh and Leigh don’t know why. Dangerous man.

Dangerous man to know. You can’t ignore him. Watch him all the time. Nothing more dangerous than a dangerously intelligent fool.

(Nothing new to report. Been out again today. Took a walk down to the red rec. Saw nobody in particular – and if I had, I couldn’t have thought of anything in particular to say – just a lonely old lady now. Smiled at the other old lady hanging her washing out by the Druids Door. Noticed the old love wasn’t there by the window of her roadside shack. Maybe she’s died. Hair! Dyed my hair. Grew it long. Makes me look younger don’tcha think. Got me up in swively hips and stockings. But my hips are too fat. I’ll go down to the shops next in a tiara. Tiara bum-de-A. Tee-ara bum-de-A. Ha ha ha.

Hmm. I’m not even an eccentric old lady. Tsk! So I went down to the Helzapoppin’ … to see all those lovely boys!)

And there were lovely boys standing around. All too many of them. All of them had half-hards on as they rubbed up against the bar.

Now these guys used to bother Geoff and the young guy. But Leigh, he didn’t mind them. They were kind of rudely exotic. Embarrassingly so, actually, to a man who had to remain ultimately masculine.

Lemming’s Pie

INGREDIENTS:

Take one broken man (it is best if he has been dropped, like a figurine on to linoleum, and he is shattered).

Take the pieces and place them before a beautiful woman. She must then smear all the jaggedy edges with the thick saline solution she dips her fingers into beneath her skirts.

Then he will be whole again.

Cook for however long in a chamber pot. Until the vile bubbles.

When it is candescant with ignominy – cast it aside and let it bake on the window ledge in the sun.

And when it is finally done – intuition will tell you the moment – you must cast it aside without a second glance.

Your meal must become as pigswill.

Like a dog’s vomit on a rocky beach.

****

In a corner of this baronial hall was a place called Montellimare. Theirs was a table full of dreams. A corner that everybody gravitated to, even though they didn’t know it.

That corner of the room was a square, a handkerchief of snow. Tall, leaning and unpredictably unsteady buildings, ladders of lights and curtains surrounded it. These were almost all whorehouses.

In that white square dwelt a Chiquita of a boy. He had the handsomeness of David and he had honed it with abuse. He was a god whose eyes moved all the time seeking approval. His skin was olive … like a Pole. His hair was slicked back … like a Spaniard. His mouth was a ring of fire.

Even his shoulders moved from the hip. He was maybe thirty years old but he could have been fifteen. He was sex at the flick of a switchblade. He had the kind of body anybody would have killed to nuzzle.

And he jus’ kep’ flickin’ those eyes across at the old guy on the left who lived in another world – and they both kep’ sneakin’ a peak into each other’s world. And neither of them knew why. They just knew there was an attraction.

Montellemare La Hombre, a sign said over the door. And all the streets went teeming by outside. Fast traffic in five lanes, swishing lights and honking horns. Rain coming down. Half a tramp on a skateboard whizzing along by the propulsion of his knuckles. He got rain in his eyes as it blowed off the peak of his cap. He is heading for the underground where he can beg in the dry.

The old guy is going in there. La Hombre.

But as that Art Deco door clicks shut behind him, you must remember that this old man, who is now flicking up a cigarette and ordering a glass of beer, is only aware of one thing – he’s lost everything that he ever pretended to own. And that is a profound thing for a man to have to face … that the nothing he ended up with came out of the nothing he owned when he thought he had everything.

So he goes in to La Hombre, step by step.

The boy has a mouth like a salty cavern. It is deep and tastes of garlic, tobacco, beer and cheese. The metal in his teeth glints like diamonds. There are beads of sweat on his top lip. A string of saliva joins their parting kiss like a rope. The old man licked it away with his tongue and swallowed.

He was a simple soul. Two and two made four to him – and nothing else.

And a kiss is just a kiss when there’s no-one there.

His hand slipped into the shadows beneath the gnarled wood of the table and rested like a butterfly on the boy’s egg. It squirmed like a turkey underneath his feather-light touch. It stretched its neck out towards him. The old man recognised that movement immediately from years of having his hand down the front of his own pants.

The Devil makes work for idle hands – no matter how you try to keep your pecker up. It’s the way of the world. The old man’s perversion was eroticism, make no bones about it. He loved to touch.

He felt his own bones go hard. What a beautiful feeling. A hardening from the arteries. Turned to stone by a feeling. The whole geography of your body is changed in a moment. All the mountains of your body are turned to granite. All those fallow fields grow instantly. Sprouting adornments, jewellery, a tinkling voice.

His car was outside and he would’ve liked to have taken the boy to the back seat but he knew that his oil pressure was low and he might have wanted to drive him somewhere.

His car was actually the most important thing he possessed. And if the truth was really known he didn’t want any young boy’s naked arse sliding across his hide.

He had to legislate against all these things because it was all unreal and on the day he came back to reality he would not be allowed to have any tell-tale stains anywhere.

The young man sucked an olive and pointed his lips at the old man.

But the touch had been enough.

Leigh went back into the baronial hall. He put on a brave face but inside he was falling apart with fear.

Too many people knew too many things about his secrets.

When he was drunk he’d always had the knack of admitting things he didn’t want to admit. But he wasn’t special in that particular proclivity. All drunks, drug addicts and perverts had this particular problem – a potent mixture of insecurity and exhibitionism. The only benefit to being this way was that it kept your stomach knotted and flat. So tight with anxiety that you couldn’t eat.

Still, that was okay for the times you had to appear naked before your fellow man.

Head-on-`is-mmmm. Hmmm. Dirty boys.

This was one of his secrets:

In a back room of La Hombre, up a dark passage, he was lying naked on a cold slab like a white fish, his thighs were parted and his thin sinewy calves were over the sharp edge of the stone and his feet were flat on the bare floorboards. His preposterous proboscis stood out above his belly like a frozen eel. It felt as if it was a yard long and sweated as it cried for attention.

Now he feels so naked that the hairs round his nipples are as lively as the tentacles of a jellyfish.

An arm covered with black fuzz reaches up from the darkness between his thighs. It becomes a ribbon of smoke and it buffets along his body until the gentle hand rests, finally, on his breast. It squeezes. His feet do a little involuntary tap dance and he moans suicidely. It is his ideal bedtime story.

A man between his legs. A Gee-man. The hand caresses him. The hand has the touch and he feels so lean with a little, renewed, muscle definition. He is worth touching. On the wall of the room, through his liquid slits of eyes, he half focuses on a doily that belonged on the table of a barroom at the festival of the Day of the Dead.

Sadly, that had some meaning for him too. It was an unfulfilled pleasure. A knowledge. Somewhere he’d meant to go one day, the Day of the Dead. The one and only day when there is no tomorrow. The day of total abandonment. The day of the Blessed Abuser who is handing out rewards like penitences.

Here, at the hands of the Blessed Abuser, we have no satisfaction. An orgasm that the heart finally gave out at the vinegar stroke. Pursed lips forever. Self-satisfied inconclusion. A Devine failure. What a way to go!

Dissatisfied.

He likes this hand. It’s the hand of an unknown friend.

And then there is the kiss in his most secret place.

And how can you kiss a man there when he has no secrets?

His feet dance and he writhes on the cold, smooth, slab. Ready to be skewered and sacrificed on his erotic altar.

There is a fishy smell coming up from the floor and he knows that the guy has a hard on. He realises that the guy between his legs, like him, hasn’t bathed for a while.

That’s when he saw the guy’s red hair in the dim light. It outshone his own pubic hair.

What was about to happen next would be so beautiful.

Oh God, he is hallucinating. His temperature has gone through the roof. He is sweating salt. His bed is a swimming pool. He sees tall people, small fat people. He is burning up. These men are jolly and stylish. Wicked thoughts and so sexy. He needs a doctor, he knows. But, somehow penicillin would kill it all off.

Gosh, his thighs are raised as if he is about to give birth and he feels a tongue licking him into readiness.

Yes.

Yes.

Yes.

Yes. He’s ready.

He is engulfed in a ritual for the lost and the lonely. Spunk is the ambrosia of heroes. `Show some spunk lad!’ he used to hear the real men cry when they wanted him to carry out some act of bravery on the school football field. `Show some spunk lad!’

Outside this room it is the days before Christmas and everybody is consuming everything to excess. Snow is falling in a grey-white shower. A girl with thin legs wrapped in spangled leggings plays a fast flute. She has a ring through her nose and ten in her ear. Her face and her hands are grimy. She raises a thigh and twirls on one leg as she plays. Her fingers flicker up and down the length of the shaft altering the shape of the air she is expelling.

The redhead rises slowly holding the old man’s legs in place on his shoulders. The boy smells musky, like a skunk. He leans forward to kiss the old man’s chest, deliberately folding him into a position of complete servility.

He was a beautiful youth, tall and Y-shaped with a kicking cock. While he carried out these acts he kept his eyes shut, making it all the more mysterious for the old man to behold.

The youth had a tattoo on his right hand and his torso was sweating. He hadn’t a natural blemish. He was perfect perversion.

The woman who had become an old lady and no longer trusted her swivelly hips slipped through the door into the bar. She’d come looking for her son. (She knew she could find him in the backroom, if she looked. Something made her didn’t look. It wasn’t that she minded what he was doing, it was more that he looked like an old man now and she didn’t want to be associated with him on social occasions. He made her look old. No swivelly hips and a queer old man for a son. Oh Veh, she wished she knew how to swear properly in Yiddish, it sounded so much better than these English curses)

Geoff let onto her and sent the young guy to the bar to supply her with drinks. She liked Geoff. Kep’ n eye out for her queer son.

She hitched herself up onto a stool and coughed phlegm, masking her mouth with a drip-mat: “Ooohoooh, it’s such a vile nighttt… thank Go-efff for me won’t you.”

She slipped the powder from a sleeping pill into her glass of beer and whizzed it around with a flick of her bony wrist.

That was her second sleeping pill powder and her third beer. She felt her mind get mixed up. So, she got serious.

“You see, with my son,” she told the fat man at the bar: “W’en ‘is mind gets mixed up, he just thinks it’s funny … but when my min’ gets mixed up, I thin’ it’s a very serious business.”

The fat guy moved away like a slug.

She laughed vacantly at this vast room of people whom she pretended to see as no threat.

“Len? Len?” She sounded distracted and waved her arm out behind but felt nothing.

The little old lady accepted another beer and realised that the last one had gone down too quickly.

Some thoughts should never be spoken. That’s what Len used to say. Funny man, she often thought what it was she first saw in him, because she never saw anything in him again. He’d looked like the strong silent type on a cold dark night, fists on him like hams, buttoned his big black coat up right though, black unruly hair and vacant eyes.

How to spot those lying cheating narcissists who walk amongst us

How to spot those lying cheating narcissists who walk amongst us

Dishonesty means cheating, lying, being deliberately deceptive, lacking integrity, being corrupt and treacherous.

What is so sad is that most of us have had to deal with dishonest people throughout our lives. And some of us actually made them a big part of our lives.

I simply call them liars, cheats, thieves and bullies – but many of us prefer the almost Biblical term of narcissists … people who might have a strong personality but lack a core of decency.

Maddeningly their hand-mirror never reveals to themselves that they are fragmented and cracked.

Instead they see themselves as simply brilliant!

When people like us think of narcissists, we picture someone with an ego so inflated that they have to walk sideways to get their head through the door … we see someone bossy and arrogant, who needs to be right all the time, has a blubbery sense of self-importance and exaggerates their own talents and station in life.

He or she believes they can only be understood by, or should associate with, other special or high-status people.

Narcissists and liars are the most pernicious and hostile of humans.

One I know claims to have had top celebs falling at his feet for many decades.

David Canter, a professor of psychology at the University of Liverpool, says: “If they are not stopped, it becomes part of their way of life…”

“They want people to believe they are police officers, government officials, journalists – but they are simply a public nuisance.”

And if you fall for their fatal false charms, they can become a toxic worm in your day to day life.

Sadly, research has shown that most people can’t spot liars. “Loads of research shows that even police officers can’t spot liars,” one researcher said.

Identifying a bullying cheating narcissistic liar isn’t always easy.

Here are some signs that may help you identify one wandering like an alien in your midst:

  • they often talk about experiences and accomplishments in which they appear heroic
  • they’re also the victim in many of their stories, often looking for sympathy
  • their stories tend to be elaborate and very detailed
  • they respond elaborately and quickly to questions, but the responses are usually vague and don’t provide an answer at all
  • they may have different versions of the same story, which stems from forgetting previous details