Category: Media

USURP TIDES OF NATIVE CLAY STEAM DISHES…RATTLES THE PELICAN WINDS AT ALCATRAZ ISLAND

USURP TIDES OF NATIVE CLAY STEAM DISHES…RATTLES THE PELICAN WINDS AT ALCATRAZ ISLAND

A NEW AND MAGICAL PIECE FROM RESIDENT ‘SOCIETY’ WRITER ERIC LASTICK

Native Alcatraz place…and it’s Indian justice—and to what to be, in no more than a moment, as just that fast, the pointed sharpness of the spear— loses it’s edge to the dull of truth…and the thunderous Cannon call; as this cut of native rock—casts aside all Red’ hope, yet not Red’ will. A stake of an island base block for all Native tribes—crushed like anvils. Triangulate by stamped-on, Anglo law, between the filaments…and  the slotted placement of prison bars, once an Indian home—which houses the ugly and fallen renegade that glue this island so tightly away…and all of these hardened inmates at this rock, whom shiver in formed lines by the cold of the bay.

Great Tribes and spirit dwellers, felt and heard by the windfall…and the salt of the water, like a Native glove that has a piece of this rock. A spirit flock and pelican, long for it’s Native people to regain this granite space; as next, a prisoner’s dream and go-course journey to enthrall of the midnight traveler—-where there is no escape at this rock! The turn of the congregated wheel.. & it’s circle hoop, traversed by the villainous pass a Alcatraz island, in banded ring… as all lie still, as you are. Cherish more, even in loss… and the dole of the land. This rock still has teeth. This island slow, yet breathes and calls at it’s bottoms. Home of it’s rightful, yet cannot lift off the clout of Anglo ways…as it stalemates these prison walls in waves…in dead space.

(POST CIVIL WAR)

Fort Laramie: Old and new history brakes it’s treaty at the belly of the Sioux…and the cold heart-ed injustices of Aboriginal land at Alcatraz. The simple meek food gatherers of the Milwok Tribe reside home of the pelicans, until the governed vested wake of the pale and ugly, took to it’s ownership, looking down from the tall lighthouse to a granite display forming for military and Anglo wars…it’s nastiness of the water currents made an ideal home for the incorrigible…it’s grim still madness inveterate and inclined to stuff mass prisoners, to it’s indeterminate—with no escape hatch, just the cold of the cement…and the impending fear of pestilence and spanning of all it’s air! The Golden Gated is like a bridge that separates, not just cities, but the closing off and limiting of the Native culture…and Red torn souls…emptying of it’s worthiness…and stack cell to cell. Pack in the loneliness and it’s numbered ancients to a tailspin. Encircle a whirlwind of contrasted crime—too the sacred wheel of mixed souls…and their tempered destruction on an island gone mad! Prison guard sadistic enhancements in the form of slow annihilation, vanquishing of hearts to it’s wretch and scent of the last straw. Picking short and heading down, these angers of the Native Elders to a forever pain. There can be no rest at this stone structure. This rock is severed…and under a spell of ‘ever’ evil! No peace can come from such a place. No rest for a century’s work in art and culture; just the grim madness—and one glance of a shackled prisoner, as if meat rack with tentacles drawn by mad cap Wardens…political tails of a devil’s attached sewn-in-spool in latter day…a reprieve of sorts, to the island closing. Although, no mankind whispering of contrite…no lesson learned…only an emptiness subsides. Love once again returns. It brighten past all the rusted iron…the closing of the barbed up doors. The rotted wood and sour vine to which now open a tiny encircled light and orb. The wheel is love…sees of the great spirit. The Chief ravishing buckskin grills. The opening of the key…as love begins to center…and go round and round, to the wonder of the medicine wheel. No longer a plug to it’s culture, but a small rebuilt; if not in a physical sense, than just to know of the same subset of breathing room. Wipe away the evils to regain the nature of the Warrior…and the true nature—too the home of it’s braves.

HERE IS THE HUWS – ANTI-SOCIAL MEDIA FORCED VICKY TO NAME HER HUSBAND, NOT JOURNALISTS

HERE IS THE HUWS – ANTI-SOCIAL MEDIA FORCED VICKY TO NAME HER HUSBAND, NOT JOURNALISTS

THE twisted world of social media’s illegal name-and-shame game went into overdrive before Hugh Edward’s wife named him to stop the savagery.

One reason she took this step was because the piranhas on twitter, Facebook and all those other new bastions of Freedom of Lies were naming anybody they could think of over a crime that may never have been committed!

Professional writers have been condemned again by self-righteous wannabe-journalists on the wicked-pedia of keyboard rebels and misspelt hashtags … we have been demonised for NOT doing what these idiots think they have every right to do.

The Press didn’t name Huw Edwards although every man and his dog, in publishing houses across the world, knew.

We couldn’t do it – unlike social media, which went ahead and broke the same laws we would have broken if we’d gone down the same road.

Moral, ethical and legal reasons… like, for instance, any allegations are yet to be proven.

Yet following the release of Vicky’s statement the backlash against professional journalists has been outrageous.

Witness Jacqui Hames, spokeswoman for Hacked Off. She accused The Sun of using its ‘unaccountable power’ to invade Edwards’ privacy. She said the paper had forgotten that ‘there were real people involved in this story’.

NO THEY HADN’T! THE SUN NEVER NAMED HIM!

And like every other news organisation, the newspaper is accountable to criminal and civil law.

The Street was right to bring Huw’s discomfort to public attention. Reporting on the alleged misbehaviour and potential abuse of power by the powerful is the fundament of journalism.

But the privacy of the powerful is already protected beyond the pale – they continue portraying themselves as pillars of sobriety and morality while hiding their peccadilloes under legislation, secrets and lies.

The argument against the traditional media naming Huw is that it shouldn’t be made public unless something criminal has happened. But the story was about two simple things.

Parents had claimed their vulnerable teenager had a drug habit allegedly being funded by payments from ‘the presenter’. And then of course, the new failure of the BBC to investigate complaints.

The simple truth is that Vicky was forced by social media to name her husband as renegade platform after platform, blog after blog and twittering twerp turned the lives of innocent celebrities into potential hell.

Mud sticks, the traditional media is always been reminded.

#socialmedia #wickedpedia #huw #huwedwards #bbc #thesun

Here is the Huws – red tops, BBC new-scandal blues, yellow-belly social media and all those dark lies and whitewashes

Here is the Huws – red tops, BBC new-scandal blues, yellow-belly social media and all those dark lies and whitewashes

Do you know, there is something inherently wrong about the story concerning a depressed TV presenter who got caught up in a scandal either of his own making or not.

Huw Edwards is one of the UK’s leading journalists with coming-up-to half a century in the job. He should have known exactly what the consequences were if his peccadillos leaked in an international newsroom.

Except, it appears, if you work at the heart of the BBC’s news-gathering operation.

Many at the BBC feel they are walking on a thin raft of Teflon, never thinking for a moment that they might slip off it.

The BBC is a middle-class oik and as such is now bleating vaporously on its tea-breath that it’s all the Sun’s fault!

Is it?

A few days ago the BBC Newsnight programme went for the jugular but, as usual, with a weak flappy-paddle wrist, a headache and scornful pomposity.

The BBC didn’t look at its own failures, it looked for somebody to blame.

Yet its own reporters were probing allegations about Huw Edwards BEFORE the story broke.

Well, they must have agreed with the Sun and all the other news outlets, that yes there was a public interest then.

And let’s look why it has public interest …

  1. Parents approached The Sun saying they had evidence that Huw was paying large sums to a young person with drug addiction. Sexual pictures were involved apparently.
  2. The BBC news editors had shown no interest.
  3. Huw Edwards was named by his wife and social media. Not the British Press … we were respecting privacy and deformation laws
  4. The parents said they wanted the payments to stop.
  5. Police told them nothing could be done.   
  6. The family asked for no payment from The Sun.

Do you know what they wanted?

A voice That’s what…

What should the hard-talking, street-wise Sun have done? Told the family to f*ck off?

Ignored what appeared to be another clear abuse of power by a leading BBC celebrity?

Do you know what it is like to have a major problem in your life but you have nowhere to turn?

I do.

So, the Sun opened its tabloid door to them, took them in. Now, the couple chose the Sun, not the other way round.

And because of privacy the Sun never named Huw at all.

Social media did though, without any checking, investigating, interviewing, legal advice or indeed KNOWLEDGE.

As the Sun said: “(The BBC) and its media supporters, sanctimonious haters of tabloids and The Sun especially, leapt on the police’s initial finding that no criminality had occurred and claimed the story thus had no public interest.

What self-serving duplicity.”

Well, what can you say? The BBC now appears to be doing the job they should have been doing months – or even years – ago.

The Sun was on it and published bringing up many questions including so many about freedom, our right to know … and the dark side of our democracy.

Who did it wrong Huw Edwards, the     BBC or the tabloid press?

Are you happy as those in power, judges, politicians and perverts are removing your voice box?

Is it just to keep you quiet..?

THE PEADOPHILE SPIRIT OF ERIC LOOKS DOWN ON THE BBC’S CELEBRITIES OF SHAME

THE PEADOPHILE SPIRIT OF ERIC LOOKS DOWN ON THE BBC’S CELEBRITIES OF SHAME

Why is news giant rolling like thunder under the cover-ups?

I am saddened and angered by the new attacks on the popular British media… these attacks are a defence of the not-so-popular BBC, which may just be the most convoluted and ‘secretive’ news organisation in Britain today.

Simple equation … the media investigated – totally legally – claims over yet another BBC celeb acting in a questionable way.

And then did the legitimate, legal thing; Published.

The BBC however – Britain’s supposedly premier news vendor – kept it all secret, put up smoke screens, waited, procrastinated… waited … and when the story broke, got very upset.

The organisation was also very upset when, in January 2022,  Eric Gill’s sculpture Prospero and Ariel was attacked by protesters as a “paedophile” artwork.

Eric Gill wrote about abusing his daughters, interfering with his dog and having sex with at least one of his sisters. Prospero and Ariel shows a tall, robed Prospero with his arms enfolding a small, naked boy, Ariel.

The BBC decided to preserve the statue. Good for the ‘luvvy’ argument over protecting difficult works of art … but surely the BBC needs to take a PR-view on its burgeoning reputation over secret relationships rolling like thunder under their cover-ups.

As democracy is peeled away from us Brits like dying flesh, we should celebrate, defend and extol the virtues of freedom – freedom of speech, freedom to investigate, freedom to ask questions, freedom to publish.

Believe me, the laws regulating news publishing in the UK make it feel like you are reporting from a gulag in Putin’s wasteland.  

However, the Sun was pretty quick – yep, some clarification here over when they actually knew – to publish the updates on their original story after correspondence from London lawyers.

By then the BBC were saying, guardedly, that the parents were at fault.

Truly outrageous.

But the truth will ultimately come out; for instance breaking lockdown? Loveheart emojis to a schoolie?

 See! Allegations lead to investigation, quite rightly.

These things need looking into, but the BBC couldn’t be bothered for weeks and weeks. It is our right to KNOW what’s going, that there is PUBLIC examination of allegations, that the mark is IDENTIFIED (Nicky Campbell and Jeremy Vine agree!) for public safety and to throw open the chances of further evidence to be revealed – evidence positive or negative.

Surely, it is the BBC’s job to take cases like this seriously and share publicly any information they have. THAT IS WHAT NEWS IS ABOUT – EXPOSE AND TELL THE TRUTH.

#ericgill #bbc #children #media #freedom

500 days of horror as Pocket Man Putin fails in Ukraine

500 days of horror as Pocket Man Putin fails in Ukraine

The Ukraine is fighting for the freedom of the West against a country run by one of the world’s richest men.

At first Putin came across as a pocket-action man with a penchant for sitting half-naked on horseback – for puffing his chest out like a belligerent pigeon and for surveying his outside world with cold lizard eyes.

Old Vlad the Bad thought he could take the Ukraine in just three days.

Now, it is 500 days since his appalling body-bag of an invasion began.

The general view today he is in a mess militarily, politically and economically.

On the other hand President Zelensky’s nation has got its head down and just keeps going and repelling the Russian army.

Putin and his cohorts are losing dignity, reputation and, at least morally, a war that shocked us despite it being behind the tattered curtains for years.

The heroes of Ukraine have brutalised, raped and murdered and their homes and cities have been looted and destroyed.

Ukraine is fighting for freedom.

In 500 days its heroism has won over most of the world – in 500 days Pocket Man is being seen as a horseless loser.

#putin #ukraine #zelensky

EAGLE SOUND STRUMS ON WINDS OF THE WITCHY WOMAN…

EAGLE SOUND STRUMS ON WINDS OF THE WITCHY WOMAN…

By our resident writer of surrealism, Eric Lastick

EAGLE SOUND STRUM: Peyote buttons…desert high. Monies of the gold you run—through lucid dreams…soulful battles of wretch and whistles. Native Indian scenery on a hit sandy say. Hot gifts from the prophets now look dead on. Not a myth! Witchy Woman align with parts and figures of “The Umbra” & it’s lunar styled shadowy days. Iron on the bloods of the Shamans. The mythifiers. The inner lobe opens to the wides—-sculpted as art on these desert sands. Cold and dark the spirit of the enlightens, as Lucifer’ the lonely…and his headed stove—-out on the high drives of secular poles. Angles as one shifts. High and dry thirsts of the forgotten…the tune play on in cool waters, non-exists. Buzz song in the chugs of the all nighters. fake lake you swim with all your rested laurels—until the wave of dry tide bright you back. Handsome hides and fallen to the seas of leagues under a wishful of hand crafted lead guitars…and inspirited sky. Cactus flow the needles in and out of one’s harmful trippy mind. Time to come home, Ol’ warriors of the rock beats. A Witch doctor’s potion clears air for the early arrives of the next studio album…as the Witchy woman is ”All ready gone!’

EAGLE CRUSHING IN THE FAST LANES: Great is the song of bridged and over-lasts to the truths…and the burning of the candle at it’s very evenly ends—too a hard fall! The fast track is great for racing. The left lane is for passing, yet comes with extra built speed—which often the taking of law as far as one can…and sometimes past the Limit. Girl watchers salient reprise…get the prize—when the music plays… and you know it’s time to reach for ” One Of These Nights” Crazy old ones…as few can attain a fast lane without pain & burnout. Yet remember when she was pretty. “Terminally pretty, as Don, the drummer whom boldly tapped of the eagle sound strum; the rage & the race is on. Yet the players developed engine trouble. The heart was there…not the movements…the stage. The place of the dance was laying down to sleep; until ”Rumple, Rumpelstiltskin arrived at the homecoming. Babe’s tried to brush her hair with saggy arms… hide all mirrors! Guru is left leaning on their wages in the fogs… come and gone. Holy man leaves the California suit in uncommitted and uncommon anger. Life in the fast lane turns as life in the no lane…as we will see you two on the other side of Saturday, without heart in it. Yet Don will still handle a drum kit. A snare and stroll on Jo’s guitar. Next stop, as the eagle has landed. A reunion. One can only hope the faster lanes can at least sit up…and take a little soup. The heavy of the horse and low running engines may be on a misfire? Though who’s to know, except under the spell of a Witchy Woman…reprise—-and her wind dust-fist-ed broom, seizing to long out in the sun; as the align’ of ”the take together moon” reveals the very next steps to the famous ”Hotel California!”

THE ARRIVAL AT HOTEL CALIFORNIA: Seated so high on the hill and reaching new levels of counterculture’s indulgences and free love…a future actual Time Traveler string-on-a-worm off a cosmic Witch’s pole—faster than the speed of light; as a latter day Astronaut of sorts has taken heed of an Eagle sound-strum. Space he claim…though steered off course in the range of 200 yrs on a backtrack, where bare bones and human frailty mixes of a cocktail of cast a spell of spoiled technology to enter the real Hotel California (1977) Lock-in log entry date…and palm tree brought of dreams! Aligned and stopped dead in it’s astral tracks. Man in time. Astronaut  of human form, set right in the center line of a welcoming of 2 moving rolling gates…and to the sights and sounds of very voluptuous decadent tribes of various life goers—as right there, a single sole man of immediate travels, attempts of making way back home (2177) Although, he finds himself on the grounds of sunny Southern California two hundred years in reverse course at an inadvertent and grade (A) Hotel, no less, yet an extraordinary strange forwardness of the waves of sun bathers…swimming arms…belly flops—and the looks and loud of fastback cars. Blue raise and Sting Rays. High tall waters flow—too everyone’s eventful finds of it’s drunk fountains…youthful gallery…picturesque celebratory stay. As once you cross the drawing line, the high climb diving boards—headlong and aspiring; there is no getting back…and no way of leaving! 

A strange pair of eyes now watches you. Not quite human…and not quite right—as it’s mad methods begin to suck and draw you in. Sign and form at entry. Fun filled in the forever, but an ultimate price to pay! The time traveler has finally made it’s weight in gold—–right at the moment of a total eclipse of the sun! The Witchy woman in headdress of black wig—stir with the winds…the multiverse spin of a cone. ”The Umbra” and it’s lunar styled shadowy workings of the totality so depraved and basking in it! She spells of it’s eternity of tarnish and erosion. The stems of Hollywood’s branches. Founded of it’s scream. Time traveler and Man of the future, now of indecision—bounces off the maps of change…of his desires, his pleasures, as young girl run. Wet towel he slides. Waiter toss their trays—skimming just under his chin, until an alcohol hot heated cocktail makes a head first run at him. An adverse thought not so wise—tossed right into the entry ring of incalculable hot lust—drawn down upon a seemly crackpot in a strange futuristic space suit—during broad daylight…and to the every inbetweens of a sensuous bikini dressed fun. He, the space traveler has cramped all decadent restored—clear off the boards. Yet still, the old rule of: ”You can never leave” still applies…as he is chased by 2 Gargoyle toughs—too the throws of their ever gilded dungeons! There, he stay in the forever chains. On and on with like minded mal-contents…party poopers…and the repeats of the rift of proper’s; as now, all days dark the same in ”the umbra” All of the nights are pitched like tents of unseating stars; as an all night guard struck a match in what does forever. Time traveler sits lock and key in the dirges of every good man’s hellish dream. He thought of the Hotel as a myth. a long standing great Spanish guitar and electric jam. A Hotel California of century’s ago? But not the fear of the sounds above his dwelling of a permanent summer vacation fun? A place of his heightened-thought…and imagined he presumed to know? Still he is a study of the Eagle song. Hotel California wedged in his mind. Now he realizes that you can check out but you can never leave. Yet he is in the bad graces of such an evil power. He knows it is time for him to try and flee…however can he? This is the nightmare that all those whom put themselves in harms way must face. So out of sheer adrenaline he bends and twists his shackled wrists…and places his finger to the attached dial of his space suit…and in a flash, after setting it forward—-as all systems are go—–he clears his way; and right on back too the future. Or at least he thought so? Although he has reached earth’s grounds…and just outside the compound…though still in the year 1977! The Eagles and their sound strums can be heard all across the compound. Hotel California plays with great will and ease.

Keith Bennett’s brother writes ‘when Pauline Reade’s body was found after 24 years, her mum said a dark cloud lifted’

Keith Bennett’s brother writes ‘when Pauline Reade’s body was found after 24 years, her mum said a dark cloud lifted’

Alan Bennett, the brother of ‘lost boy’ Keith, has written another gentle and heart-felt piece giving a glimpse into the world of those who were left behind and were forced on a quest to find the remains of their loved ones.

Thank you Alan, your writing is keeping memories and support alive…

Alan writes: On July 1st in 1987 the body of Pauline Reade was discovered and brought off Saddleworth Moor, 24 years after Pauline had been murdered and buried on the moor by Brady and Hindley.

After she was returned to her family Pauline’s mum, Joan, told us that ‘It was like a big dark cloud had been lifted off my shoulders’.

PAULINE READE

Joan found some small peace of mind eventually and the change in her life after Pauline was found was so very good to see.

I met Pauline’s immediate family and I can honestly say that Pauline’s mum, Joan, who I got hugs from on quite a few occasions, was one of the nicest, gentle and sincere people I have ever met.

Thinking of and remembering Pauline and her family.

#paulinereade #bradyhindley #myraian #moorsmurders #keithbennett

Echoes in the walls

Echoes in the walls

This is the story of an encounter with a ghost in a small English market town

They thought the circus had arrived every time old Jack Bannister rolled into town.

            His wagon creaked like bones and his black dog was the devil. Kids chased his wagon, one tried to hitch a ride on the stargate but stumbled, the dog reacted like a crocodile and the kids scattered like beetles. 

  The sky was losing its red, rain was starting to fall. He knew the wagon would become unmanageable if the  horse didn’t make it to the brow quickly. She pulled along gracelessly like  an old farmer’s wife.  

Sometimes something happens in a town like Newport on the Staffordshire and Shropshire border. Prejudice and superstition can spread like blood across the sidewalks. Old Jack, who would spend a whole day rolling his way towards town to collect his monthly supplies and then making his way back home again, had this affect on them. They didn’t like him because he was a travelling man, a “ducker”.  

  The wagon waved like a sailing ship as the bowels of the sky rumbled and opened.  Jack took a tighter grip on the reins. The black walls of a St Nicholas’s    loomed in the rain, there were alleys and ginnels, doorways and stairwells, a Church of Scientology, liturgically bright, a Co-op offered dividends.  Jack reckoned they played by their own rules round here. 

 There were certain elements of this town he related to though. Nothing to do with the people, but to do with the ramshackle. A memory, a yearning, a ghostly thing, something only honest shaman, duckers and wild animals are privileged to be able to recognise. 

He liked the ramshackle. He recognised that this town was medieval, but only the shape of the roofs were left, the frontages were new biliously coloured bricks.  As he looked up at the medieval rooftops he could hear all the people who’d spent their lives under them. He could hear ghosts and distant memories.

There was a workyard off to the left, he could see it as he came round the edge of the church wall.  Workyards, ramshackle, dark and dirty.  There was DNA underneath these roofs.  Whole worlds had changed, come and gone, cataclysmic times had faded unnoticed, great gashes blown into the universe, dying tribes and shipwrecks, ancient histories ignored, even the seas had changed colour.

  The church bell began to toll midday. Somehow it didn’t sound right though, too mechanical, hollow, too precise, the chimes of a battery operated clock.

 There was a whoooshing noise above, drowning out the bells. He looked up and saw a wedding couple pointing at him from a balloon, she was in crinolines and he was  holding on to his top hat, they were laughing and losing their balance in the basket oblivious to the roaring flames over their heads or the closeness of the ground.

****

That afternoon I was propping up the bar of the old Fox and Duck on the outskirts of town, buying Jack beers. That was my job, you see, when he rolled into town, he was never had any money. It was 1989 and Jack knew I was a writer with a growing interest in the unexplained, so I’d buy him beer and he’d tell me stories, stories about being on the road.

And stories about ghosts. “You know that cake shop, Wycherleys, in the centre of that Godforsaken hole you call town? You should take a look in there, son…”

I  pushed another amber glass across to him: “Why?”

“I saw summat there today as I pulled up the hill.”

“Like what?”

He got cryptic like he always did, playing the part of the ducker: “Something in the corner of my eye… you know, how you learn to spot a comet ..?”

I knew that was as far as he would go. He didn’t talk much and anyway he was only here for the free beer. That information was payment for the last amber glass, now half consumed, in front of him.

****

Later I sat in the ivy-ridden walled garden at Wycherleys, once a perfumery and now a delicatessens. There are the remnants of a vegetable patch behind a ‘half moon’ wooden gate. I sipped my coffee, it was a bit chilly out here, too chilly in fact for most people.  I was alone.

It’s a beautiful ancient building which it is rumoured was partly designed by that old rogue of wistful architecture and design William Morris. You can sense history in every brick of this wonderfully tall and thin building with its winding rickety stairs and low-slung ceilings.

Newport is a strange place, once famous for its leather, wool and fish.

I don’t know what I was expecting as I sipped my coffee, but in this garden by myself the last thing I felt was alone. It was like there were faces in the mullioned windows, faces of the dead, aimless shrouds of sadness, churning memories, shock at a life gone past.

I felt like I knew their names, their crimes and penalties right back to the days of laudanum and ether. For a second I could feel their anguish and their pain. It hurt inside me. Each of their stories began to play before my eyes, separate reels and confused soundtracks, all the stories flickering and flashing, wafting in a different world like ribbons …

I began to feel cold in the sunlight and wanted to look away, but I couldn’t. I knew other things were in there, other ghosts – not belonging to the history of the house – but other ghosts that had gathered there. And they had a darkness to them, like the darkness inside the darkest coat …

… “There are a lot of people here …” I felt a voice whisper. I definitely didn’t hear it but I felt it. Something brushed against my elbow making me turn. Nothing there. The garden was still empty but there was this incredible smell of roses and herbs, spices. The faces in the window stirred as if they were trying to see something moving below them.

And that’s when I saw her too, a tall – very tall – dark figure standing without a flicker of movement. She held a basket over her arm filled with petals, herbs and spices. She was facing the wall and, like something coming at you from inside a mist, I could make out the outline of a door.  Everywhere filled with the chokingly sweet smell of flowers and meadows.  Despite this there was nothing particularly friendly about this woman, she was unnerving.   

Unexpectedly she turned to look at me and the faces in the windows gasped. Then she was gone.

And so, I suppose, I began what was my very first ghost hunt. I went in to the shop, it was quiet as the grave in there apart from the lady serving behind the counter which was full of cheeses and hams and pickles and spices.

I asked her if she knew about the door in the wall which I’d just watched manifest itself. This frumpy middle-aged woman dressed in vintage pinafore and bonnet smiled at me and said: “Ah, you’ve seen Mary then have you?”

I must have looked embarrassed because she said: “Oh don’t be worried, we’ve all seen her. And heard her too. Did you know, she can make your watch stop – and the clocks – if she feels like it. Check yours …(I did but it was still ticking away)  Sometimes she’ll come in a room unnoticed and turn it to ice. Mary doesn’t like warmth …”

“Do you see her a lot?”

“Sometimes you can see her every day, other times it’s as if she never existed. Most of the time she just appears to be getting along with her business …  the whole building can fill with this beautiful smell of perfume… but once I swear she turned to look at me.”

****

I followed the top of this accommodating shop assistant’s bonnet down the uneven stairs into the cellar. It was filled with all the usual detritus you’d expect in a shop’s storeroom, discarded shelving, promotional banners and signs, an old counter, cardboard boxes stuffed inelegantly inside cardboard boxes.

My guide’s hips were sadly on the large side and she had a bit of difficulty negotiating the narrow corridor between all of these things but finally we reached our destination. She had taken me to the darkest part of the cellar, we could hear traffic noise above our heads.

It was there that she pointed out in the dismal light a smooth granite slab which still had the aroma of centuries of the flowers, herbs, spices, berries and bark which had been melded on it. There was a slight but shadowy indentation where this magical perfumer’s hand had rested …

… we both heard a whisper like an echo from walls … “three parts frankincense, half  part thyme and one part myrrh…”

Then it was gone and we were alone again with this pungent smell of the past.

I stepped out of Wycherleys onto the medieval street and out of the corner of my eye I caught the stargate of Jack Bannister’s wagon making its way back down the hill.

I’d just experienced my first ghosts and I began to feel dreadfully alone.

#ghosts #wycherleys #newportshropshire

CANNERY ROW ED’S FEEL-GOOD RULES FOR HIS ‘ALIENATED’ CHILDREN

CANNERY ROW ED’S FEEL-GOOD RULES FOR HIS ‘ALIENATED’ CHILDREN

Ed Ricketts was killed by a train which smashed into his beat-up old sedan as he crossed the Southern Pacific Railway track on his way to a market in New Monterey.

He was going to buy a steak for his dinner.

After he and his car had been impaled on the cow-catcher of the Del Monte Express Ed hung on for a few days in hospital. Then he died.

His skull was out of shape, his lungs were punctured and just about every bone in his body was broken.

Edward Flanders Robb Ricketts was 50 years old and was comfortably unknown as a marine biologistecologist, and philosopher in the 1930s and 40s. He lived in the shack he had turned into a laboratory on Ocean View Avenue in Old Monterey’s rusty and dilapidated Cannery Row.

In 1922 Ed married Anna Barbara Maker in a quiet ceremony. He began to call her “Nan” and along the way they had a son and two daughters.

They lived a hand-to-mouth boon-docks way of life but Ed was happy.

Then they got divorced.

Ed was left alone in his shack and he missed his children.

He turned to drink. This meant that he had very little money but he kept on keeping on and looked after his children, albeit from a distance.

He was buried away at Monterey City Cemetery and there wasn’t much left to talk of, apart from the marine specimen jars on shelves in the shack and some rattle snakes he kept in cages for study purposes.

But he did leave something behind that still matters today … three rules for his estranged children.

And 70 years later, these rules are something all of us could teach our children, no matter how hard we are fighting to keep in touch with them.

Here they are as narrated by his best friend, writer John Steinbeck.

We must remember three things. I will tell them to you in the order of their importance. Number One and first in importance, we must have as much fun as we can with what we have. Number Two, we must eat as well as we can, because if we don’t we won’t have the health and strength to have as much fun as we might. And Number Three and third and last in importance, we must keep the house reasonably in order, wash the dishes and such things.

But we will not let the last interfere with the other two.”

#wsricketts #canneryrow #steinbeck #parentalalienation

WAR PROPAGANDA, ALL IS PHONEY … HELP US TELL THE RUSSIANS

WAR PROPAGANDA, ALL IS PHONEY … HELP US TELL THE RUSSIANS

IT IS MORE THAN A YEAR SINCE THIS LETTER WAS SENT TO THE PEOPLE OF RUSSIA – WE SHOULD ALL SEND IT AGAIN

According to dictionaries, propaganda is the sharing of misleading information for a political cause.

It all began in 1622 when Pope Gregory XV Propaganda Fide to tell the world about the Catholic faith. Since then propaganda has become the incendiary and cataclysmic lies of war … deadly, spontaneous lies flying through the holes in the air where nature used to wheel and spin.

People say that we journalists are the world’s biggest propagandists. But that isn’t what we are about … I have done my ‘war stint’ and I tell you, our time isn’t spent sifting through the detritus of lies of ambition and death, many of us face bombs and bullets on burned-out streets to discover what the truth is.

Well, now a major UK tabloid has written a letter to Putin’s victims of lies – his own people.

The Mirror has asked its monthly readership of 33 million readers to tell the Russians about the horrors of war taking place in Ukraine in their name.

AND HERE AT THE SOCIETY WE SUPPORT THEM ENTIRELY AND ASK OUR OWN HALF A MILLION READERS TO DO THE SAME THING.

Below is a letter to Putin’s people, written by the Mirror. Please copy it and use this Russian adress generator to send it, by post to those who are being kept in the dishonest darkness as the world faces some of its darkest days.

Russian addresses can be found on a random address generator at: www.bestrandoms.com/random-address-in-ru

The Russian people are NOT being told of the deaths, bombing, massacres rape – and talking about it – if you know about it – is a criminal offence leading to 15 years in jail.

Russia’s honest media outlets have been shut down, and protests against the war crippled with speed and severity.

The Russian people almost certainly have no idea of what is really happening in Ukraine.

So help The Society, the Mirror and the brave journalists dodging death on the streets what is really going on.

The tabloid said: “Since the Russian invaded Ukraine on February 24, many Mirror readers have been asking what they can do to help.

The letter says: “There is no free press in Russiaand your leaders are cheating you with a daily diet of lies about the war in Ukraine. Your President is not telling the truth.”

Well, let us – readers and writers, contributors to The Society and the Mirror – TELL THE RUSSIANS WHAT BLOOD-LETTING, DESTRUCTION HITLERESQUE HORRORS that are happening in their names but NOT in their hearts…

Please cut out this letter and send it. It is the least we can do.

#zelensky #putin #mirror #letterrussians